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Search Results 0 to 7 of about 8 (some duplicates have been removed)
as our chamber of commerce members we have to invest in our education we have we have been in front informed in a deliberate way that many companies started here and want to grow but they are running out of talent and they are having to look overseas where we could be creating generationings's of people that have the stem and steam skills. science, frontpage, engineering, arts and math. those are the key skill sets. and i had a chance to meet with all of our san francisco chancellor and is i see chancellor here today from -- state and he joined me with chancellor helm man from uc s f city college our own public schools superintendentent to form a major education leadership counsel to advise me in making sure that the skill sets that we need in the jobs in the future are being trained and reflected in the education curriculum and how to support not only the institutions, but all of the different programs that we can use to lift up all of the educational stands for our youth i have person learn adopted 12 middle schools in san francisco to make sure each principal gets what they ne
our city beautiful. sparkling and clean and educating youth and provide the scholarships and support for them and using culture -- about the cleanliness of our neighborhoods and respecting our neighborhoods all throughout our city. we are also engaging the bright technological mindsen joining us in s f city and join the chambers in creating jobs and training for those last year, last summer, over 5,005,000 and eight jobs were created for summer for our youth, paying jobs every single one of them and this year we expect to exceed it with your help and the help of other companies here and we need to create hope in every aspect for our youth as mayor khan said they are going to inherit the city and the successes that we are pawk talking about today, they are going to also inherit failure and is we want to have less failures with their invest and investment in them and in companies like sales force zooma and at which timer are all leading the evident with the 1800 other technology companies to help us create this investor confidence that companies are leading they started to come to tra
services to the arab couldn't health and education and immigration his days start in the early mornings, commuting between court appointments homes of low increase and disabled clints, hospitals and schools and his work leads into the late evenings he can be found in the late trip ac's where he tutors nearly 50 america youth to help them understand the important of education their futures in the world and academic excellence his mint doesn't stop at mentoring he helps many student pursue scholarships to per view their dreams for higher education he understand the value and importance of community service and empowering our people to be strong and proud and conscious and capable members of the community who never forgot their heritage. so abraham, on behalf of the city and county of the san francisco x we will like to presented you with the 2012 distinguished service award. (applause). >>> thank you all and i appreciate this very much from the government of san francisco and i thanks our community at large and everyone who is here and for them, i thank them also and we will try our be
, but once again up close there is another level of information that's educational about this facility. >> fire fly by artist ned con is an art installation which rises straight from the golden gate avenue sidewalk to the top of the building. >> the fire fly wall will be 5 by 5 polley carbon plates that will move with the wind and show a wave effect in the daytime. when those also swing back and forth and they hit the fulcrum, it will also set up an led light that will cover the fire fly. so, at nighttime people in another part of san francisco can see the side of our building and about 20 feet wide and 10 stories high will be a wall that will flickr on and off like fire flies at nighttime. it will be so energy efficient that if all those lights go on, it will be the equivalent of a 40 watt bulb. and also the new piece of artwork going all the way down the side of the building, which looks like this incredible wind ripples on a pond. and i thought, oh, my god, how incredible, how wonderful. >> inside the building we will have water walls in the main staircase, and the water will be dri
. perhaps some of it is an awareness or an education about resource he he that are available. there's a whole gamut of people available to remove graffiti, people who have never done it before, maybe they're painters but they just have access to materials and they are used to taking paint off. i guess farther down the spectrum of people that have never done it before and just want to be good citizens to remove graffiti. then you go up through -- you know, people who just specialize in graffiti removal. there's people who, you know, more like me who get technically involved and we test everything. you've got vendors out there that are selling you products, including antigraffiti coatings. so, i think there's a level of what the significance of the historic building, if we're talking about the white house or the national monument, you know, we'll always get -- usually find people who are super well qualified. and then if it's -- you know, if it were my house and it was built in the 1920s, i might get more ghosting. it's just a matter of -- not me. i would do a good job. [laughter] >>
the world. and san francisco there is a need to have an education campaign to identify heritage buildings following the model of the city of edmonton where it is done in coordination with the heritage society. do you have suggestions to accomplish this in san francisco? i guess this is the san francisco folks. >> yeah, i think there is already. i'm the expert on the materials, but i think there is a system through your 311 calls here in san francisco, is that for example, if it's on art, it goes to the arts commission and they have a different way of addressing graffiti abatement. and i believe with historic buildings and structures it should be the same. i don't know if it is or not. but that's a really good point because sometimes the approach for addressing a paintment on a historic or cultural monument or building is going to be a little bit different than approaching it on a replacable cement or brick wall. so, making the coordinations is going to be very important. the point i think that you are addressing in your question about the shadowing is i think the effort that's behind that
Search Results 0 to 7 of about 8 (some duplicates have been removed)

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